Every single day has just sort of...melted into one long day. Training a new employee tomorrow, with the hopes that she won't suck and not show up on Thursday and steal my day off like she did today.
One of the directors at the museum offered to critique my applications, which is incredible. She worked at Otis before she came to the museum, so I'm excited to get some honest and constructive feedback. I've been putting off writing my essays for a week or so now. I know how to help people understand my ideas through my paintings, but I'm nervous about getting tripped up in the writing aspect. I just need to suck it up and fucking do it.
Experimenting a lot more with cut-out silhouettes. I guess my initial worry about doing silhouette work was the need for intricate detail to keep the subject from just looking like a blob. I've always tried to make a point of avoiding the specific details in a piece (in sketches, I can shade properly, but I don't like it. In portraits, I'll avoid painting eyes or lips, for example. I like to focus on the bigger picture), and while I have an appreciation for detail, it almost feels like going against my natural intuition to leave out the little things, instead replacing them with the details I find to be more necessary to conveying my intended message. Regardless, I think it will be a good practice for me to pay more attention to the intricate details again.